
What the gang would do with the money
In the countryside the crew dreams out loud: a Maserati and a gym, new lungs for Moscow, a winery in Provence, an island, a plane. Rob big, dream big.

Moscow's hot-headed son, loyal, impulsive and known for his laugh. Played by Jaime Lorente.
146 moments · 4h 22m · by Favseen
Moments 1–30 of 146

In the countryside the crew dreams out loud: a Maserati and a gym, new lungs for Moscow, a winery in Provence, an island, a plane. Rob big, dream big.

Denver goads his father into performing: Moscow stands and sings a mournful corrido about a lover lost to bullets while the gang listens.

Berlin promises sleeping bags and a quiet night, then asks the hostages to strip and dress like the robbers; Arturo Román pleads for the vulnerable.

Alone in an office, Denver tells Mónica he saw the pregnancy test and guesses who the father is; she says she plans to abort.

Tokyo narrates the first victory, Berlin picks a shift of workers for round-the-clock printing, and the crew cheers as the first notes roll out.

Berlin congratulates the hostage who filmed the inside and starts stripping suspects, while Raquel's team identifies the young robber from Getafe.

Denver offers Monica 20,000 for nappies, argues a baby never screws up a life like lunatics in Dali masks do, and tells his own birth story; Berlin walks in.

A ring between her legs gives Monica away; Berlin asks about the stag party, worries about his authority, and tells Denver to kill her.

Denver explains they will both die if he does not kill her, Tokyo admits her love story wrecked the escape, and Monica is put on her knees.

Ordered to kill Mónica, Denver instead shoots her leg so she can hide in vault 2, then faces Berlin's taunting about the two shots.

The gang argues over Berlin's order to kill a hostage, the Professor does not answer, and Moscow is told the shooter was his son.

Picking his father up from prison, Denver admits he owes a dealer for stolen pills; Moscow dragged him into the heist to buy him a fresh start.

Moscow dares Berlin to shoot him, asks his son whether he killed the woman, and suffers an anxiety attack on the bloodstained floor.

Moscow admits he left the mine because of claustrophobia, not his lungs, and Denver promises an island with separate huts because his father snores.

Denver patches Mónica's leg with a tourniquet, they argue over digging out the bullet, and she worries the pills could harm her baby.

Moscow tries to walk out to the police as snipers line up a shot, until Denver tells him the truth: the hostage is alive and hidden.

Berlin asks the hostages to take air on the roof as a favour; Arturo cries bait, and Denver silences him with a gun and a show of hands.

The Professor warns Berlin against improvisation; Nairobi shows a note made with care, and Berlin is asked whether he is a robber before a human being.

Arturo learns Mónica was shot, turns Denver's gun on him among the kneeling hostages, and a sniper's green light hits the wrong man.

Flashback: arteries drawn in marker on a bare body. Denver protests that a bullet means a hospital; the Professor says anyone who wants out must quit now.

Mónica is feverish in the vault. Moscow demands why his son shot her; Denver says Berlin would have killed her. Moscow: they came to rob, not to kill or save.

Mónica learns the police shot Arturo and pleads that he be told she survived, for him and the baby. Denver realises she is pregnant and congratulates her.

The Professor tells Berlin the nurse with glasses is a cop. Flashback: the Trojan horse lesson, a hoarse-horse rhyme, and letting the police think they win.

The surgeons arrive for Arturo's bullet. Berlin overrules sedation so his patient stays awake, and a 25-minute clock goes up on the screen.

Berlin needles Arturo about mixing up his wife's name; mid-surgery Arturo admits he cannot choose between Laura and Mónica. Nairobi spots the lost note.

Six weeks pregnant and feverish, Mónica asks Moscow what parenthood is like. His answer about a son who did the beating stops when she fades and Denver runs in.

Denver says he gave Arturo the note and improvises what Arturo said back. Mónica catches the lie: Australia is his wife's dream, and she is scared of flying.

The crew turns on the last TV in the factory to celebrate their fame, and Rio hears his own father tell the news he is as good as dead to him.

The gang asks how they get out; the Professor unveils a decoy dig, a tunnel he built five years ago, and the arithmetic of 2,400 million euros.

On his sleep turn Denver visits the hidden Mónica just to see how she is, and the two share a quiet, awkward closeness.