
Bogotá names every slur as he beats Gandía; the hostages rise
Each punch gets a reason: fascist, racist, sexist, homophobe, and one for Nairobi. Intercut, the hostages storm the vault doors with guns.

The Mint's director and the most self-serving of the hostages. Played by Enrique Arce.
40 moments · 1h 12m · by Favseen
Moments 31–40 of 40

Each punch gets a reason: fascist, racist, sexist, homophobe, and one for Nairobi. Intercut, the hostages storm the vault doors with guns.

A bloodied Gandía gloats that playtime is over just as the hostages burst in with rifles; Denver takes a bullet and Stockholm scrambles for the surgical kit.

Arturo's armed hostages trade fire with the robbers, who retreat and split up to chase them toward the loading dock while Helsinki is sent to watch the roof.

The Governor tells Arturo to stop after two hostages are hit; Arturo counts it a victory worthy of Churchill and blames the recoil.

Arturo refuses to sit tight, lobs a grenade at the gang and finds a flamethrower in the armory, promising the barbecue will be outside.

Helsinki spots Special Forces moving in; Lisbon orders Gandía released, Denver lobs a grenade with a family announcement, and a sedated Gandía halts the raid.

Over the walkie, Arturo tells Denver that Mónica never loved him the way she loved him, and Denver has to be dragged back before he charges out alone.

Arturo overrules the hostages' instinct to hold the armory and attacks; the gang mounts a Browning on a forklift and fires through doors opened and shut on cue.

Caught in the firefight, Arturo tells Mónica she will never shoot the father of her child and that she will never truly be one of the gang.

Arturo lies dying as Stockholm pumps his chest; Palermo wants to finish him off and spare the gang the blame, then decides to get him out.