
Nicole tells Nora how she met Charlie
Engaged in LA and feeling half dead, Nicole saw a strange play in a New York apartment and the actor playing to her turned out to be the director.
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16 moments.

Engaged in LA and feeling half dead, Nicole saw a strange play in a New York apartment and the actor playing to her turned out to be the director.

Nicole explains how she shrank inside the marriage, why the pilot felt like her own piece of earth, and the phone-number test that ended it.

Prepping Nicole for the evaluator, Nora explains why imperfect dads are forgiven and mothers are held to the impossible standard of Mary.

Charlie's opening letter: a montage of the small, specific things he admires in Nicole, from jar-opening to giving up a film career for his theater.

Nicole's answering letter: how Charlie eats, dresses, cries at movies, loses at Monopoly and builds a family out of whoever is around.

A voice opens the series with a question about God, then claims the whole story and everyone in it belongs to him.

The boy flees home, fields and his father's God, and names the faith he will replace them with: Bombay.

Back in the bunker Sartaj hears how Gaitonde and Mathu sat on buried gold until a leopard in the jungle made him feel like God.

Gaitonde lays out his plan to take Bombay, recruits a treasurer who worships his safe and the Badriya brothers, then waits like a cheetah.

With Kukoo gone, Gaitonde trusts no one and tells his gang that from now on he is the sole deity Gopalmath will worship.

From a hospital bed Gaitonde reflects on how strength leaves a man empty, insists this is not how he will die, and asks Paritosh to find him a bride.

Standing over the boy's body, Sartaj tells Katekar they both failed, and that the system they curse is made by men like them.

In memory, Katekar tells Sartaj that police work is like cleaning a beach the sea dirties again, and that clean today is enough.

Gaitonde calls religion the world's biggest business; Subhadra answers that for the poor, festivals are their one day of feeling human and equal.

Through the Ramayana, Gaitonde explains how Subhadra's death woke the Hindu in him, and admits he chose innocents to kill in Isa's name.

Thinking with vodka and loud music, Murray tells Nancy the public likes the curtain and will nod along the moment authority calls it bullshit.