
A letter to Jonas: the red thread that ties every fate
A voice promises Jonas he will set things right, but only through sacrifice, as fragments of a locked-up Martha and Adam drift past.

Every Dark moment featuring Martha Nielsen, in story order. Played by Lisa Vicari.
77 moments · 2h 11m · by Favseen
Moments 61–77 of 77

A voice promises Jonas he will set things right, but only through sacrifice, as fragments of a locked-up Martha and Adam drift past.

Martha's world, apocalypse day: Martha comes home insisting Bartosz was right about the plant, and Magnus dismisses her as unhinged.

Eva tells her younger self the two of them are wrong in both worlds, and that she will learn to let Jonas go.

In Adam's world, the imprisoned Martha accuses him of lying; Adam answers that paradise means nothing existing at all.

Martha, who killed her world's Jonas, finds Jonas alive in his world and explains the loop's two edges and quantum entanglement.

Jonas shows the matter left after the catastrophe and his dead device; Martha offers to help him save Martha and everyone.

Their older selves from the other world say their own elders lied and urge them to trust Jonas; then Martha arrives with another plan.

Adam tells the pregnant Martha the child of both worlds must die, using the energy of both apocalypses focused on one point.

Martha pleads with Adam, calling him Jonas, as he turns on her; Eva's voice says the beginning is the end.

Bartosz stops Martha at a door and insists Adam lied, wants her dead, and that he knows what the origin really is.

Claudia admits she keeps the matter from working, then reveals she wants to untie the knot without destroying life, unlike Eva or Adam.

Eva tells Martha they share the same pain and scars, marks her as a memento, and says choosing Adam is choosing death.

Jonas reaches Martha before Magnus and Franziska can, and they learn it is June 21, 1986, the day the passage first opens in the origin world.

As Tannhaus's machine splits his world, Jonas and Martha prepare to cross, and Martha asks if her world's Jonas was different.

As children, Martha sees a sad boy in her closet and Jonas sees a girl in the basement; the adults see nothing.

Jonas and Martha turn the car back from the bridge and pass on Tannhaus's words, rewriting the origin world's fate.

Jonas and Martha realise they saw each other as children, wonder whether anything of them will remain, and say goodbye.