
The dead boy wears 1986: Charlotte briefs the station
Charlotte lays out the evidence: red soil, '80s clothes and Walkman, a 1986 pfennig on a red cord, and a cassette that plays an eerie song.
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36 moments.

Charlotte lays out the evidence: red soil, '80s clothes and Walkman, a 1986 pfennig on a red cord, and a cassette that plays an eerie song.

Mikkel insists he lives here; a teenage Ulrich and Katharina mock him as the wrong-house fool, and a Chernobyl headline dates the year.

On the morning of her big promotion Claudia practises bold words about the future, then turns on her daughter for how she looks.

Two schoolgirls argue over a Falco song until a lost boy asks for the principal, his mom, and gets laughed at for dropping acid.

Helge congratulates Claudia on becoming the plant's first woman boss and hands her a wrapped book; she can barely wait to leave.

A farmer shows Egon a pasture full of dead sheep with no bite marks, then quotes scripture about not knowing when the time will come.

Mikkel says his father is Ulrich Nielsen; Egon assumes a prank by the local troublemaker until the boy asks the date and hears the year.

Under cover of an interview request, Tronte tells Claudia he misses her and needs her; she wants him gone but does not quite say no.

Ines introduces herself to Mikkel and promises to look at his arm and bring him home safe; he does not say a word.

Egon barges in on teenage Ulrich, demands to know about the boy and the hoof, and Ulrich fires back that drinking cost him his brother.

Claudia confronts her predecessor with three months of figures that contradict the reports; he answers with Chernobyl, fear and the whole town's livelihood.

Egon hears that all 33 sheep died of sudden cardiac arrest, no Satanists, no Freddy Krueger, and every one of them has burst eardrums.

On the night shift Ines gently offers the boy a place to stay and something to read, and he finally speaks: he says he is from the future.

Old headlines about Mads Nielsen, then a recorded police interview in which his mother insists the whole family was home waiting.

Over a memory of two brothers brawling at Christmas, Jana admits she lied to the police in 1986 and names the woman Tronte was with.

Ulrich demands to know about 1986; Regina answers with the bullying that sent Mads home through the forest and the rape accusation.

In 1986 Hannah fishes for news about Ulrich in jail; Katharina swears nothing will come between them and vows revenge on the informer.

The old policeman warns the released teen he can feel his guilt in his bones, and Ulrich fires back with a cruel one-liner.

The newcomer forces Ulrich to apologize to Regina, then she bandages his wound at home and learns his name.

Bernd admits the 1986 leak and the hidden waste, then tells Claudia that the story of Winden is now hers to decide.

The stranger with a new identity presents himself as Regina's friend and a metalworker who just wants a chance.

In the 1986 hospital, nurse Ines brings the silent boy a gift and promises whatever he tells her will stay safe with her.

A priest named Noah visits Mikkel in the 1986 hospital and counters his science answer with talk of God's plan.

Young Hannah gushes about a film to an inattentive Ulrich, who slips off with Katharina; she agrees to sleep with him on one firm condition.

Young Hannah dreams of doing magic; Mikkel tells her about Houdini and illusion, and introduces himself as being from the future.

A young Hannah hesitantly tells her father she saw Ulrich force himself on a girl, a story that will carry heavy consequences.

Tannhaus sets his device beside its future self: the future shaped the past, and cesium plus a Higgs field can make a black hole.

Asked why he helped, Tannhaus muses on cause versus feeling and suspects his whole life leads to this moment; the Stranger hopes tomorrow will be different.

The aged Helge tracks down his 1986 self and warns that Noah is lying, that today is the beginning and the end, and that he must stop.

Noah tells Helge of a haunted lodger from his boyhood who said nothing is in vain, and that pain makes us who we are.