
What Charlie loves about Nicole
Charlie's opening letter: a montage of the small, specific things he admires in Nicole, from jar-opening to giving up a film career for his theater.

An actress leaving her husband and New York to start over in Los Angeles with their son. Played by Scarlett Johansson.
18 moments · 42 min · by Favseen

Charlie's opening letter: a montage of the small, specific things he admires in Nicole, from jar-opening to giving up a film career for his theater.

Nicole's answering letter: how Charlie eats, dresses, cries at movies, loses at Monopoly and builds a family out of whoever is around.

The mediator wants each of them to read their list aloud; Nicole refuses, Charlie wants to, and she ends the session with one blunt line.

Nora introduces herself to a tearful Nicole, shares her own story and reframes the divorce as choosing something better for herself.

Engaged in LA and feeling half dead, Nicole saw a strange play in a New York apartment and the actor playing to her turned out to be the director.

Nicole explains how she shrank inside the marriage, why the pilot felt like her own piece of earth, and the phone-number test that ended it.

Stunned, Charlie asks Nicole why she used lawyers and why Cassie had a pie; she tells him she wants an entirely different kind of life.

Charlie calls about Henry's claim they're staying in LA; Nicole reveals she hacked his email and knows about Mary Ann, then stamps her foot in rage.

Charlie can't pick a sandwich so Nicole orders for him; Nora gushes about his play, then traps him on why a promise counts only when he wants it.

Charlie comes over to fix a stuck gate during a blackout; Nicole notices he's getting shaggy and, like old times, cuts his hair while Henry sleeps.

Jay recasts the marriage as Charlie's gift to Nicole; Nora counters that his genius was built during the marriage and half the MacArthur is hers.

The lawyers trade the affair, the email hacking, Nicole's drinking and the unbuckled car seat before the judge keeps the status quo and orders an evaluator.

Alone in Charlie's apartment they try to talk; it collapses into the Geffen residency, what was promised, and whether Nicole was ever happy in Brooklyn.

The lawyers' smears turn personal: who put whom through hell, what Henry really wants, and each accusing the other of becoming their own parent.

The argument turns savage: the affair, who hated whom, who gave up what, until Charlie punches the wall, says the unforgivable and collapses in apology.

Prepping Nicole for the evaluator, Nora explains why imperfect dads are forgiven and mothers are held to the impossible standard of Mary.

A Sondheim trio from Company, performed as a giddy family number after the custody battle is mostly over.

Henry sounds out the list Nicole wrote for mediation; Charlie takes over reading and reaches the lines she never let him hear.