Tokyo on freedom: barefoot, unarmed, a hundred guns pointed at you
Tokyo narrates what stepping outside feels like after a hundred hours trapped, and why showing Lisbon free in front of the cameras was a message of hope.
Tokyo's Best Moments
The narrator: a robber on the run who joins the Professor's crew as her last way out. Played by Úrsula Corberó.
200 moments · 5h 46m · by Favseen
Moments 151–180 of 200
- 151
- 152
Lisbon negotiates Gandía's release and spots Tamayo's missing checkmate
Out front, Lisbon offers Tamayo the wounded Gandía for a doctor and an hour, then realises he never played his best card: the police do not have the Professor.
- 153
Gandía taunts Tokyo as armed hostages break out and Denver is shot
A bloodied Gandía gloats that playtime is over just as the hostages burst in with rifles; Denver takes a bullet and Stockholm scrambles for the surgical kit.
- 154
Firefight in the bank: the hostages pin the gang down
Arturo's armed hostages trade fire with the robbers, who retreat and split up to chase them toward the loading dock while Helsinki is sent to watch the roof.
- 155
Arturo's tiki-taka: Messi, Neymar, a grenade and a flamethrower
Arturo refuses to sit tight, lobs a grenade at the gang and finds a flamethrower in the armory, promising the barbecue will be outside.
- 156
Tokyo to Rio: you're not leaving without me
While Rio cuts through steel, Tokyo tells him she let him break up with her and jokes she may have to kidnap him to restart things.
- 157
Arturo's radio taunt about Mónica pushes Denver over the edge
Over the walkie, Arturo tells Denver that Mónica never loved him the way she loved him, and Denver has to be dragged back before he charges out alone.
- 158
Open, close: the Browning on the forklift battle
Arturo overrules the hostages' instinct to hold the armory and attacks; the gang mounts a Browning on a forklift and fires through doors opened and shut on cue.
- 159
Palermo's World Cup speech: ten against ten thousand
While the gang digs in, Palermo spots fear in their faces and announces that Sierra is no longer playing for the police.
- 160
Brace like on an airplane, and don't stop melting
Hostages are told to brace for turbulence while the foundry crew is ordered to keep melting gold no matter what.
- 161
Sierra delivers the breech baby as the roof explodes
The Professor guides Sierra through the delivery while the gang scrambles under the army's assault on the bank.
- 162
The Professor calls for an attack on two fronts
With the roof blown open and snipers everywhere, the Professor stops the gang charging out and lays out a two-front plan to save Helsinki.
- 163
Tokyo on real war, into the opening song
Tokyo's narration admits the gang never knew what war was until now, then the episode's title song plays over the chaos.
- 164
Smoke in five: the rooftop hostage charade begins
The Professor directs Tokyo's team to climb among unmasked hostages under smoke cover while Lisbon counts down and Matías fires to distract snipers.
- 165
Manila confesses her love to Denver under fire
Wounded on the roof, Manila admits she has loved Denver all her life; he refuses to let her talk like she is dying.
- 166
Stampede: Helsinki freed and the museum crossfire
Helsinki is dragged clear, the Professor orders the stampede, and Tokyo's team catches the soldiers from behind once they leave cover.
- 167
Tokyo and Nairobi on what remains after death
Flashback: in Nairobi's room the two friends talk about dying, being remembered, and living forever in your happiest final thought.
- 168
Sagasta surrounded, abandoned by Tamayo, answers with grenades
The gang corners the soldiers and counts down; Tamayo refuses to send a second team, and Sagasta fakes a surrender before throwing grenades.
- 169
The safety lock drops and Sagasta taunts Tokyo
Steel doors not in the plans seal off the museum, cutting Tokyo's group off, and Sagasta sends her a chilling message about Nairobi.
- 170
Silene Oliveira: Tokyo's monologue on grief and running
Tokyo recalls the name she had before the story began, ten days in hiding after losing René, and why she never stops running from the pain.
- 171
Kitchen rattrap: the countertop barricade and the grenade
Pinned in the bank kitchen, the gang heaves a cast-iron countertop into a barricade and bats a grenade back at the soldiers, with a taunt about queso.
- 172
Lisbon flashback: Tokyo and René dream of stealing their freedom
On a beach in Portugal, Tokyo and René decide small jobs are not enough: if they do not steal, their lives are stolen. She names the far city they will reach.
- 173
Tokyo taunts Gandía over the walkie until he snaps
While the soldiers argue tactics, Tokyo goads Gandía about his wife and son Juanito, calling him a coward and traitor. He breaks ranks and charges in.
- 174
Gandía's grenade kills one of his own
The blast wounds Helsinki and the gang scrambles to patch him. On the other side, Gandía's grenade has killed a soldier and Arteche turns on him in fury.
- 175
Denver and Manila argue about love mid-firefight
Between bursts of gunfire Manila presses Denver on his old dreams and whether he really loves Stockholm; he insists his life now is like a cologne commercial.
- 176
The safe house: the Professor offers Tokyo resurrection
Led blindfolded to a house of strangers, Tokyo learns she is the first recruit of a twenty-year plan and is asked whether she is brave enough to be born again.
- 177
Gandía's morphine lesson: the first kill haunts you
A shaken soldier begs for morphine after his first kill and Gandía tells him it passes, then warns Tokyo over the radio that he is coming for her.
- 178
Toledo flashback: Rio reads Tokyo's future in the stars
Under the night sky Rio names the constellations and reads Tokyo's future: she will meet a normal, lonely, good guy, and Cassiopeia says it will happen dancing.
- 179
Tokyo and Rio's first dance in Toledo
A song plays as Rio asks Tokyo to dance and the two of them spin around the Toledo house in the flashback.
- 180
Tokyo is shot five times
The soldiers break through the pantry wall and Tokyo is hit in the arms and legs; she recalls the day as the one when all the odds were against her.