
Berlin orders the hostages into red overalls
Berlin promises sleeping bags and a quiet night, then asks the hostages to strip and dress like the robbers; Arturo Román pleads for the vulnerable.

The Mint's director and the most self-serving of the hostages. Played by Enrique Arce.
40 moments · 1h 12m

Berlin promises sleeping bags and a quiet night, then asks the hostages to strip and dress like the robbers; Arturo Román pleads for the vulnerable.

Berlin forces a gun into Arturo's hands, counts down ten seconds for him to fire or be shot, then reveals the pistol is fake: trust us and obey.

Berlin organises the hostages, picks the school athletics captain, then calls Arturo's bluff about his handyman skills with a gun as lie detector.

Convinced they will be slaughtered, Arturo makes the student search the tunnel stash: petrol containers, ammunition, and what looks like heroin.

Arturo apologises, declares his love and asks Monica to let him be the father, before telling her about the tunnel and the hidden phone; she offers to go.

Berlin asks the hostages to take air on the roof as a favour; Arturo cries bait, and Denver silences him with a gun and a show of hands.

Arturo learns Mónica was shot, turns Denver's gun on him among the kneeling hostages, and a sniper's green light hits the wrong man.

Bleeding on a table, Arturo waits for clarity on whether Laura or Mónica was the love of his life, while Tokyo doubts the gang's first aid skills.

Berlin muses that wives comfort in moments of fear, needles Arturo about his secretary, then warns that any slip on the phone earns a coup de grace.

Arturo promises Laura a new life and a trip to Australia, swears she was always the one, then calls her Mónica. Berlin savours it: a legend.

The surgeons arrive for Arturo's bullet. Berlin overrules sedation so his patient stays awake, and a 25-minute clock goes up on the screen.

Berlin needles Arturo about mixing up his wife's name; mid-surgery Arturo admits he cannot choose between Laura and Mónica. Nairobi spots the lost note.

Berlin makes Mr. Torres take a bow for printing 311 million euros, then welcomes a recovered Arturo back with a round of applause.

Arturo whispers to a locked-up security guard and promises scissors and tools in two hours, insisting 67 lives depend on him.

Arturo tells a fellow hostage the guards are their last chance and asks him to distract Helsinki while he lifts drill bits and saws.

Mónica recalls Arturo's reaction to nine months of not breathing; back in the present Denver proudly serves her a vending-machine menu.

Arturo briefs a hostage on the breakout, names pregnant Mónica as the third escapee, then talks Helsinki into taking him downstairs to see her.

Arturo's rescue mission backfires when he finds his lover with Denver. Tokyo narrates his one thought, vengeance, as he demands to be left alone with Denver.

Arturo claims the baby is his and attacks Denver, who easily overpowers him. To save his skin, Arturo gives up the hostages' escape plan.

Arturo screams lawsuits at Helsinki, who cheerfully reveals the tunnel mission was never real.

The basement is rigged with explosives, six figures crawl toward the sewer, the GEOs count down and seize them, and Arturo screams that they are hostages.

Two and a half years on, Arturo tours TV studios insisting he is no hero, just a brave man, while branding the gang rats and Helsinki a Balkan beast.

Arturo rewrites his hostage story as a motivational speech, mourns losing Mónica, and has a hall chanting that they face their problems.

Arturo Román taunts Denver about his father, then Denver steps into the snipers' sights waving a white flag.

After Arturo's TV interview, Alicia Sierra dissects his lonely life on camera-hungry fame and refuses to let him go home.

While Suárez rages after the failed raid, a lone man walks up to the bank with his hands raised and announces he is Arturo Román.

Strip-searched by the woman he once wronged, Arturo admits Laura left him, swears he thinks only of her and the boy, and begs to see his son.

Arturo turns lewd and threatening in seconds, Stockholm draws on him, then names her son and leaves Helsinki to finish the search.

Palermo picks a volunteer hostage to retrieve a bear left by a pregnant woman; Arturo calls it suicide while masked hostages shield the pickup.

With Arturo wounded, Denver blames Manila for blowing her cover; Stockholm fires back that it is never Arturo's fault and they chose to be here.

Each punch gets a reason: fascist, racist, sexist, homophobe, and one for Nairobi. Intercut, the hostages storm the vault doors with guns.

A bloodied Gandía gloats that playtime is over just as the hostages burst in with rifles; Denver takes a bullet and Stockholm scrambles for the surgical kit.

Arturo's armed hostages trade fire with the robbers, who retreat and split up to chase them toward the loading dock while Helsinki is sent to watch the roof.

The Governor tells Arturo to stop after two hostages are hit; Arturo counts it a victory worthy of Churchill and blames the recoil.

Arturo refuses to sit tight, lobs a grenade at the gang and finds a flamethrower in the armory, promising the barbecue will be outside.

Helsinki spots Special Forces moving in; Lisbon orders Gandía released, Denver lobs a grenade with a family announcement, and a sedated Gandía halts the raid.

Over the walkie, Arturo tells Denver that Mónica never loved him the way she loved him, and Denver has to be dragged back before he charges out alone.

Arturo overrules the hostages' instinct to hold the armory and attacks; the gang mounts a Browning on a forklift and fires through doors opened and shut on cue.

Caught in the firefight, Arturo tells Mónica she will never shoot the father of her child and that she will never truly be one of the gang.

Arturo lies dying as Stockholm pumps his chest; Palermo wants to finish him off and spare the gang the blame, then decides to get him out.