
Berlin wakes Palermo at three in the morning
Flashback: Berlin drags Palermo out of bed to explain the plan to Sergio, debating what outfit exudes intellectualism; a note on maturity follows.

The elegant, ruthless leader inside the Mint, running the hostages and the crew with equal disdain. Played by Pedro Alonso.
134 moments · 3h 59m · by Favseen
Moments 121–134 of 134

Flashback: Berlin drags Palermo out of bed to explain the plan to Sergio, debating what outfit exudes intellectualism; a note on maturity follows.

Palermo walks Sergio through ransacking the vault like Tutankhamun's tomb and pushing the gravel into the drains before the real pressure comes.

Palermo rallies the crew to connect the stolen pump while flashback Berlin promises manna raining down at the stormwater tank.

The Professor and Sierra ride out of the besieged block in a garbage truck as narration contrasts his thrill with Berlin's and children play hide-and-seek.

Back at the stormwater tank, the Professor finds Palermo's foundry running and the gold flowing, and dedicates it to his brother.

A cold open: Berlin orders lobster and wine while Tatiana ends their marriage; he is wounded most by how cliched her breakup lines are.

A moody song plays as Berlin follows the car carrying Tatiana to find out who she is leaving him for.

Watching from the shadows as a song plays, Berlin discovers the man Tatiana left him for and is stunned.

At the hotel bar, Berlin calmly dissects Rafael's affair with Tatiana, then shocks him by saying this is the first time he feels his son measures up.

Berlin tells Tatiana she is better off with the younger man, lists what she will miss out on, and sends her off in peace.

Over a love song, heartbroken Berlin lets himself be arrested after wrecking a cocktail bar; Tokyo explains why he did not care about prison.

Sergio picks a freshly released Berlin up from prison; Berlin reflects on failure and losing his son, then vows to rob the Royal Mint before he dies.

Five years earlier, Sergio recalls chasing his father on a bicycle the morning of the bank job and watching from across the street as police fired.

Sergio explains he treated the shooting like a movie and never spoke of it, and that every plan he builds is a conversation with the man he lost.