
Berlin's last stand: I love you, little brother
The Professor begs Andrés to enter the tunnel; Berlin chooses to die with dignity, orders Helsinki to blow it, and the Professor insists they keep going.

The elegant, ruthless leader inside the Mint, running the hostages and the crew with equal disdain. Played by Pedro Alonso.
134 moments · 3h 59m · by Favseen
Moments 91–120 of 134

The Professor begs Andrés to enter the tunnel; Berlin chooses to die with dignity, orders Helsinki to blow it, and the Professor insists they keep going.

Five years before D-Day, Berlin mocks Sergio's clothes, shows off the monastery he rented from silent Cistercian monks, and confesses he fell for the chapel.

Berlin's friend unveils the Bank of Spain scheme; the Professor insists nobody leaves alive, Berlin calls that a detail and changes the subject to Tatiana.

The Professor calls the Bank of Spain impossible; Palermo describes a vault 48 meters down fed by two underground streams, and Berlin calls it beautiful.

With guards, bodyguards and the army minutes away, Berlin explains the way in is to be the ones everyone expects to save the day.

Berlin reveals he has their mother's illness and refuses to stop: you would not ask Michelangelo to put down the chisel. The heist is their masterpiece.

Berlin narrates the fantasy while the crew lives it: lances on the steel door, water pouring in, the ram and the tube pushed home against the clock.

The welder goes in without his oxygen as Berlin boasts that not even James Bond could weld it in time; one bad seam and he drowns in the vault.

Berlin paints the picture for his brother: a diver in the flooded vault, bubbles bursting against the roof, a sunken galleon of pure gold.

The brothers sing Guantanamera and dance in the old Tuscan house, Berlin dreaming of dying on a beach, while in the vault Nairobi holds up gold.

Berlin and the Professor bet on when a man of principle chooses his life, while Nairobi forces the mask on a governor who refuses to dive.

Berlin shrugs off the fear that the governor will refuse: if it goes wrong there is always the C-4. Bogotá descends into the flooded chamber.

Police get the green light to shoot, the governor is sedated, and Berlin muses on a blast at 40 atmospheres as the countdown hits zero.

The Professor lays out what the 24 red boxes hold and why no state can let them reach daylight; the assault is called off.

At the monastery Palermo argues that men only need release, the women tear it apart, and the whole gang ends up chanting his refrain.

A row about toilet etiquette turns into Moscow asking whether Berlin is part of his team, and Berlin answering straight.

Flashback: Berlin presents his new love at the monastery and reveals she already knows about the Bank of Spain plan.

Flashback: Berlin shrugs off the Professor's rule about love and the plan, reveals he has three years left, and argues nobody can plan away chaos.

Over lobster, Berlin tells Rafael he ruined his parents' romance by existing, then insists they are here for a fresh start.

Berlin accuses Rafael of flirting with Tatiana and presses him for a straight answer, then takes the admission as a compliment.

Rafael refuses to steal with his father; Berlin mocks the office life he paid for at MIT and offers him freedom, whatever the price.

Berlin unveils a no-risk robbery of 12 kilos of Viking gold during his own concert, then sneers at the art his son wants to protect.

Flashback: Berlin lays out a gold heist at a castle gala and casts his son as the dull-looking piano tuner carrying a card skimmer.

Berlin explains that the gold-room guard's only soft spot is his senile father, and the crew sends the old man walking toward the music.

Berlin and Rafael enter the hidden vault and find a system of shifting walls; Rafael has one minute to hack it and says he cannot.

Tatiana poses as a doctor to steer Hans's father away while Rafael finds the gold and cracks the code; Hans grows suspicious.

A botched bank job leaves three dead and one fugitive. Berlin calls her escape art and pushes the Professor to recruit her; Sergio says she is too dangerous.

Five years before the heist, Berlin recruits an underwater welder with seven kids by seven women and calls him a fellow romantic.

Flashback: Bogotá shows off photos of his far-flung kids while Berlin mistranslates for the foreman and bills him for his own robbery.

Berlin sells Sergio the pump-and-pipes plan with a hundred-year-old sewer, scientific optimism, and a proud Peter Pan defence of immaturity.