
First call: the robber in charge calls himself Professor
Raquel's first call: a metallic voice wants someone who can say yes or no, then throws her off by asking what she is wearing before giving his alias.

The man behind the heist and the inspector hunting him, falling for each other across the negotiation line. 81 scenes together, in story order.
81 moments · 2h 26m · by Favseen
Moments 1–30 of 81

Raquel's first call: a metallic voice wants someone who can say yes or no, then throws her off by asking what she is wearing before giving his alias.

The Professor greets every officer on the line, asks for time, hears Raquel's demand to free the children, and still gets her to describe her outfit.

Armoured vehicles roll in and Prieto names a priority-one hostage; in flashback The Professor explains why the ambassador's daughter brings them in before dawn.

After the longest night, Raquel orders a decaf, finds her phone dead, and a quiet man at the next table offers her his.

A stranger asks the negotiator how she handles robbers; Tokyo explains eight million euros an hour, the Professor's cameras, and why love will wreck it all.

The Professor opens the call by asking Raquel about faked orgasms, turning it into a warning that lying to him, like last night's raid, puts lives at risk.

After listing the hostages' medication, Raquel reveals she has images from inside and a robber's identity, offering eight years instead of sixteen.

Over lunch the friendly stranger asks about the robbers; after a call naming a second robber, Raquel attacks him as a journalist and he shows his wallet.

Asked whether the gang will surrender, the Professor answers with a story about schoolyard cops and robbers and votes for zero years in prison.

The Professor dictates his escape list to Raquel and frames her choice as punishing the robbers or saving 67 lives.

The Professor, posing as Salva, brings Raquel a call: her ex-husband has taken Paula despite a restraining order, while the tent keeps recording.

Over coffee, Raquel apologises for frisking Salva, then drops the act and admits her ex-husband took her daughter despite a restraining order.

Raquel tells Salva that violence never begins with a slap, why she did not report her police-officer ex, and how her sister ended up with him.

Arturo learns Mónica was shot, turns Denver's gun on him among the kneeling hostages, and a sniper's green light hits the wrong man.

The Professor refuses to let the wounded man out. Raquel concedes the error and warns him of the fallout; he allows two surgeons and a nurse inside.

Raquel sits down with the shy man from the bar, grills him on girlfriends and dancing, and says intelligence is what she finds sexy. He has a word for it.

The team guesses which painter follows Dali and Munch; Ángel surprises everyone with Andy Warhol, and Berlin hears it all through a microphone in his glasses.

Outplayed again, Raquel tells the team to go back to the starting point and comb the museum CCTV for the robbers' earlier visits, while the other side gloats.

Raquel and the Professor trade flirtations before she demands eight underage hostages in an hour, then guesses the Malaika is a decoy.

Trapped in the Ibiza as the crane lifts it, the Professor takes Raquel's call and accepts a dinner date without missing a beat.

The Professor offers Alison alone instead of eight minors; Prieto overrides Raquel and she chooses the ambassador's daughter.

Tokyo narrates how the Professor leaked Raquel's choice to the radio, as Raquel's hound-dog instinct closes in on the man himself.

Reeking of ammonia, the Professor is caught at the scrapyard and acts like a thief; Raquel releases him, then realises it was him.

A fake robbery call empties a patrol car; a voice on channel 8 warns the identikit witness Nikolai that his wife and daughter are being watched.

Raquel asks what music the Professor showers to, he says a Greek Syrtaki, and she sets a one-hour deadline for proof of life of every hostage.

The inspector phones Rio and offers a two-year sentence for an ally inside; the Professor's lesson on the police going for the weakest link plays over it.

Rio adds up the sentences, asks for a televised presidential pardon, mocks the inspector's name-and-number request, and faces Berlin's fury afterwards.

Alone in the café, Raquel admits her first dinner out in eight years and fears being stood up; Salva gently points out she is early.

Flirting over drinks turns cold when Raquel tells Salva to look under the table and gives him a choice: show her the cider workshop or wait for a warrant.

Sunday night, 60 hours in: Raquel forces Salva into the plastic-draped warehouse she thinks hides a drug lab, while he plays innocent.