
Jason explains he cannot live without knowing
On the way to radiology House probes what made him snap; Jason says he would rather rot in jail than not know the truth about his body.

Monologues, rants and pep talks. 30 scenes from 21 shows and films.
30 moments · 1h 25m · by Favseen

On the way to radiology House probes what made him snap; Jason says he would rather rot in jail than not know the truth about his body.

In the museum flashback Tokyo mourns her mother and recalls the door drawn on her wall that she could open only once, and never did.

Noah says the older Jonas will create the hole he wants to destroy, casts time travel as light against shadow and tells Bartosz to never trust Claudia.

Mickey explains that every murder case is a tree the state waters and the defense must chop down, then the twist: he's an inmate too.

Dwight finally takes the stage and wins over the salesmen with a fiery call to warriors of Northeastern Pennsylvania to unite.

Back in the bunker Sartaj hears how Gaitonde and Mathu sat on buried gold until a leopard in the jungle made him feel like God.

Facing an all-male team, the old man lays out his childhood method: a strong leader, alternating sides, rope under the armpits, lean back ten seconds.

Nicole explains how she shrank inside the marriage, why the pilot felt like her own piece of earth, and the phone-number test that ended it.

Pellegrini answers the rumor on live TV by daring Salvator to show his face. Then a reporter asks if the Kuala Lumpur victims' blood is on his hands.

Paul confesses his mother warned him off the war; Kat calls it a fever nobody asked for and tells him they are the lucky ones.

Yalina demands to know if he is an Indian agent; Hamza answers with the list of terrorists he is hunting.

A reporter pushes the orphan-girl angle; Beth answers with why the board, not the pieces, is where she feels safe and in control.

The traitor shows his face, explains his deal with Davian and his plan for a military strike, then lets Ethan hear Julia.

Thinking with vodka and loud music, Murray tells Nancy the public likes the curtain and will nod along the moment authority calls it bullshit.

Eddie and Manda piece together the boy upstairs on his computer at 1 a.m., the videos about how men should be, and whether they made him.

Dying among the tanks, Angier says it took courage to enter the machine and that the point was always the audience's wonder; Cutter closes the trick.

The tea-stall owner tears into Phool's pride at being a good girl who does not even know her husband's address.

Weeks later in Seattle the team swap jokes and wounds, and Ethan tells them the team was the only thing that worked.

Left alone, Bu-yeon curses Uk, dares a tiger to eat her, and is met by a swarm of bugs instead before the search party arrives.

Mahavir tells Geeta tomorrow's fight is for every girl written off as less than a boy, not just for a medal.

Beaten and cornered, Selvam spits out why he came for Maharaja's family and what he believes he took from him.

Small talk fails; Cameron asks for honesty and House says she needs damaged people, naming her late husband and himself.

Lisbon announces seven deaths and asks the red tide to go home; the crowd refuses to leave and Tamayo's spin collapses.

On stage, Martha delivers Ariadne's descent into darkness: no king's daughter, no man's wife, no brother's sister, her only judge herself.

Mickey thinks on a night drive, tells the story of a safecracker client, then bursts into the office having found Jerry's plan.

Pam's 'longest engagement' Dundie replays and she calls the joke lazy; Dwight shuts the women's bathroom, and Michael invites families to the best Dundies ever.

A voice opens the series with a question about God, then claims the whole story and everyone in it belongs to him.

Geum-ja tells Gi-hun about her gentle son's lifelong self-blame, the night she cursed him, and the guilt she now carries.

Nicole's answering letter: how Charlie eats, dresses, cries at movies, loses at Monopoly and builds a family out of whoever is around.

Posing as an outraged buyer, Assane rants about a broken statue and stolen art until Adèle, as an activist student, demands the archives.